These promos on Star Bharat are brilliant

Television, especially GEC TV, is all about storytelling. But somehow, storytelling in Hindi GECs in India has been confined to show concepts. OK, let me revise that statement to ‘storytelling efforts in Hindi GECs in India have been confined to show concepts’, and that’s another story.

In this one, I want to share with you an exceptionally delightful, stand-apart piece of creative narrative that literally cuts the crap one sees on most Hindi GECs. No, this isn’t about a show; it’s about a brilliant series of on-air promos.

Let’s see now. Where does one begin? A perfect cast brilliantly becomes superbly real, likeable characters: a bright, smiling, helpful young bank-helpline   lady; a kindly, protective, grandmotherly lady showering tender love on a little infant whose young working parents lave it in her care; a sweet, positive, sincerely smiling aggregator-service cab driver… all in very real, heart-warming tableaux, set the tones of the promos.

See how the narrative unfolds, in superbly scripted, produced, shot, edited fashion to dramatic effect – each promo seems to have been produced like a little movie, telling its superb story.

Why I haven’t named the show is because in the quite unlikely event that you haven’t watched any of these promos, that would be a spoiler for you. So let me first share the promos right here for you

Here. Watch:

The sweet and helpful bank customer-care executive:

The saaf-sutthra, smiling-sincere taxi driver of a cab aggregator service:

Aren’t these promos brilliant little stand-alone films in themselves? I love how these narratives quietly sidestep your guard and smash you one in the solar.

I haven’t been able to source the third promo about the caring grandmotherly baby sitter, but it’s on Star Bharat.

Image-for-Star-Bharat-Great-Promos-MediaBrief.com The show, as you know, is Savdhaan India, returning with its new series mid-July on Star Bharat. What the promos have achieved is superb storytelling of a quality that will put enormous pressure on the narration of the series to match up. One hopes the episodes are shot in a way that lives up to the promise of the promos. Knowing Star’s penchant for creative and execution, one is confident, but the promos have set a very high standard indeed.

Aren’t these promos brilliant little stand-alone films in themselves? I love how these narratives quietly sidestep your guard and smash you one in the solar!

I’m already leaning forward in acute mental anticipation  for the new series of Savdhaan India that these promos are announcing. Sushant Rajput has a great voice and presentation style, and I hope he will return as the series presenter.  It’s slated to  play out from 18th July as a stripped show, Mondays to Saturdays, at 10 pm on Star Bharat, and I can tell you – these are some of, if not the, most memorable Indian  TV show promos I’ve watched in over the last two dozen years.

On an aside, as a genre, crime shows are great. But what I particularly like is how Star Bharat shows actually walk the talk of helping Indians, especially women, find their voice, courage, even their feet in some very challenging circumstances. Like an episode presented by Rajput, where, in the midst of a gripping criminal doctor’s case narrative, even as he advises and cautions the viewer about being careful, he also informs and inspires important social protagonists and other players in general to understand, respect and support women. Without slowing down the gripping story narrative.

Good TV content on a GEC is the result of great synergy amongst its creative, marketing and, of course, the on-air promotions teams. And for these promos, all three at Star Bhart need to take a bow. What do you think?




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Pavan R Chawla
Pavan R Chawla is the Founder-Editor of MediaBrief and an award-winning media, content and communications professional whose career spans journalism, radio, television reporting and programming, publishing, corporate communications, digital strategy, media education and institution-building. At MediaBrief, Pavan leads editorial strategy, original journalism, leadership interviews, podcasts and knowledge-building forums. He hosts MVP, The Master’s Voice Podcast, and curates BreakfastBrief, alongside MediaBrief’s wider portfolio of editorial and podcast properties. He began in journalism with The Times of India Group, working across The Independent, The Metropolis on Saturday and E-Times, and writing for publications including Illustrated Weekly and Femina. His early broadcast work included reporting for Vinod Dua’s Parakh, anchoring Saturday Journal on DD Metro, presenting Western music and English business news on AIR FM, and scripting and presenting programmes for Times FM. He was on India’s first private FM network, Times FM, when it launched on 15 August 1993, presenting one of the only four one-hour episodes that aired that day. At Sony Entertainment Television, Pavan was Senior Executive Producer and helped create and supervise programmes including Aahat, CID, Heena, Bhanwar and Kanyadaan. He also headed one of the channel’s prime-time business and programming units and was its on-air promotional voice. He later headed programming and new programme development at B4U. His publishing career includes editing the Zee Entertainment Guide and IMPACT, and launching i-next, Jagran Prakashan’s compact bilingual daily, as Group Editor. Pavan has also held senior communications roles at MAX, Sahara One, INX Media and Adfactors PR. His work has covered corporate reputation, brand building, channel and platform launches, entertainment, sports, digital media and strategic communication. He received the Indian Telly Award for Best PR and Corporate Communications Head of the Year across media organisations in India, in 2004. He has served as CEO and Academic Head of the Edvance Institute of Integrated Media and as Dean and Academic and Business Head of the D Y Patil-Whistling Woods School of Film and Media. He is happiest where content, digital, business, strategy, design and media converge.